Showing posts with label Songs. Show all posts
Showing posts with label Songs. Show all posts

Friday, July 10, 2015

Review: Nature by TigerLion Arts

I spent about 30 min outside today, just around late afternoon. I live just north of 694 and the area is quite nice - lots of tree, grass, a pond; and yet I can hear the rumble of traffic, I can see cars driving by from my deck, and there are neighbors.

I had a similar experience when I went to see Nature at Washburn Fair Oaks Park just north of the Minneapolis Institute of Art. It was a gorgeous late afternoon, there were trees and grass, some sounds of traffic, some sounds of other people enjoying the park, and the sun was low in the sky. It was a perfect night to see Nature.

This show is presented by TigerLion Arts, and it tells of Ralph Waldo Emerson and Henry David Thoreau's mutual love of the natural world.  It also tells of the lives of these two great gentlemen, thinkers and writers. It is a fascinating story told by an ensemble of actors portraying various roles, and providing sound effects, creating props, etc. Ralph Waldo Emerson is played by Tyson Forbes (a direct descendent of Emerson, as well as being a co-creator/writer of the work), while Thoreau was played by John Catron (Sam Elmore plays Thoreau at other times). The piece provides a view into their lives that is simple and beautiful, yet incredibly complex and relevant at the same time. The whole cast was fantastic, as were the musicians and singers.


One thing that made this piece as wonderful as it was is the fact that it is a "walking play." One the night I saw it, it started in a hollow in the park. Benches were set up, a small group of vocalists were singing music of the period and I was told to go to "the small church." The show started with a reverend starting a service and being interrupted by a woman portraying Nature. She then introduced Emerson and Thoreau, and we were off on an exciting journey. Background was given about both men and their introduction to each other took place. Then we moved. We were told to follow musicians and we made our way up an incline to the open expanse of the hilled center of the park. It was a perfect location as the two men made their way towards us, while also having a conversation. Were they using microphones? No - the ensemble was standing on a platform behind the audience, and they were speaking for the gentlemen, creating sound effect of the breeze, eating an apple, a swarm of bees, etc. Once the men got close enough, they did start to speak themselves but it was a very imaginative way to have a scene in an open space and yet still keep everything natural.

When that scene ended, we moved as an audience to another location in the park. This happened four or five times through out the piece and each of the four locations was perfectly suited to the action of the play. Eventually we ended back at the "little church" for the final scenes.

This is the start of the tour. TigerLion has collaborated with parks, arboretums, universities and various communities across the country in a way to reconnect with the natural world. From Minneapolis, this tour moves to Park Rapids, Alexandria, Grinnell, St. Johns/St. Benedicts, Gustavus, and ends in Carleton. After seeing the show at the park, I must confess that there is a part of me that wants to follow the tour so that I can see how each location is used. Along with that, the ideas spoken to in this show are worthy of more thought. With that in mind, I provide the following links.

Works of Ralph Waldo Emerson - http://www.rwe.org/
The Walden Woods Project - http://www.walden.org/
The Thoreau Reader - http://thoreau.eserver.org/
The Thoreau Society - http://www.thoreausociety.org/

If you have a chance to see this work, please do so. It is lovely and simple, so well performed and such a joy to experience. It is recommended to bring a portable chair or blanket as seating is not provided except at the "little church." I would also suggest a bottle of water, and possibly bug spray.

Thursday, April 2, 2015

Drawn to Fruit Fly

They had me at the title: I love my gay male friends and appreciate the unique qualities of our relationships. I don't know how I missed the previous iterations, but I was not going to let the newest version of Fruit Fly pass me by!

The show is the brainchild of Sheena Janson and Max Wojtanowicz, I've appreciated each of them on stage separately, including Sheena's touching Desiree in the Mu Performing Arts production of A Little Night Music and Max in the Nautilus Music-Theater production of Ordinary Days. In addition to being talented in their own rights, the pair have been friends for a lifetime, and they built this show around the framework of their friendship.

The simple set on the Illusion Theater stage includes a large whiteboard, on which is written the progression of the show, a guide to the jokes and references in the show, and a space in the upper left corner marked "Sondheim References." With that, they already had me charmed. Most musical theater has its fair share of Sondheim references, so I loved to see them addressing it so directly!

Max and Sheena start the show amid a squabble that clearly illustrates their beyond-comfortable relationship. They are witty and charming, and so are the songs, with music by Michael Gruber that occasionally evokes Sondheim, especially when the singers are racing through their snappy, wordy, and funny lyrics. And yes, there were a few humumumumumable melodies. (And if you get that reference, this show's for you.)

From members of the children's chorus in a production of Joseph and the Amazing Technicolor Dreamcoat and on through high school and college, their friendship grows, hitting a few bumps along the way but seeming to thrive as they live their adult lives. Of course, there is a crisis, and it's a biggie. When one of the pair gets involved in a serious romantic relationship, the other feels left behind. This part of the show went on a bit too long for me, though it was so well performed that it's amazing that they willingly relive such a traumatic breakdown. (Also, it's not exactly suspenseful. If they hadn't stayed friends, we wouldn't be watching the show, right?)
See the Sondheim References on the board? And doesn't Sheena
look great in yellow? Photo: Lauren B Photography

Overall, it was a delightful 90 minutes (no intermission--get your box wine before the show)  of laughter, a few tears and a lot more laughter. I think anyone will see their own long-term friendships reflected onstage, as the joys and strains are universal, while still being wonderfully unique to Sheena and Max.

For more info, there are some cute introductory videos posted to the Fruit Fly event page on Facebook, where you can also get info about two special performances featuring a boxed wine tasting on Friday, April 3 and a fruity drink tasting on Friday, April 11.

If you fall in love with Sheena and Max in this show (and you will, unless you already love them), you can catch more of their work at the monthly cabaret they created and host on the first Monday of each month at Hell's Kitchen. Musical Mondays is a fun night for seeing theater people from all over the Cities performing musical theater songs in a variety of themes, It's the closest we have here in Minnesota to NYC's fabulous 54 Below, and it is a can't-miss event if you love musical theater,

Thursday, December 4, 2014

Peter Pan Live

This is just going to be a quick post about Peter Pan Live, on NBC.  First and foremost, I have to write that I, personally, think it is a brilliant notion to get live theatre back on the main stations. Yes, we all know that PBS does some amazing live theatre. However I feel that NBC or another major network station is going to reach a larger audience, which hopefully will create the desire to see more live theatre.

That being written, I'm not certain about Peter Pan as a follow-up to Sound of Music. Sound of Music is so well known, where as Peter Pan (the original with Mary Martin) has a niche following I think. Perhaps I'm wrong but songs like "I'm Flying" just aren't part of the typical theater fan lexicon, let alone the non-theater person. Rumor has it that next year they are looking to do Music Man. I think by choosing a better known property, they would and will get a larger portion of the audience.

Now, what about the production itself?

Wednesday, April 2, 2014

The Circle of Life (and the Love of Song)

Seen the clip making the rounds of Facebook of the cast of The Lion King singing on a flight to Sydney?  If you haven't seen it, go check it out.  We'll wait!

Well, dang. It is such a powerful song (even without the lead vocal) that it still brings tears to my eyes. I'm sure that if you, like me, had a chance to see it in the theatre you will never forget that opening number, ever. Wow...

After watching that, I had to post the two following clips. They are both so good!! 
Playbill cover for The Lion King.
1997
New Amsterdam Theatre
The Circle of Life at the 1998 Tony Awards

Then, from London: The Circle of Life at the 2012 Olivier Awards

So, why do I love this song so much? There are a few reasons. Obviously it brings back memories of seeing the show live. The Lion King is such a change from "regular theatre." Yes, it has been called "the show with puppets and masks" but it is so much more. There is a pure theatricality to this work, and so much imagination went into the show that it fills me with great joy, and awe at the art. That joy and awe are what make me cry, cry at the beauty, the simplicity, the theatricality, the magic, the art. 

Kristin ChenowethBUT, it is also the full-throated singing that goes along with it. Like the closing number of the shows "Hair", or "Spring Awakening", or even some of the songs in "War Horse." It is a single voice, joined by others in a great melody that grows, and takes you with it. Simplicity, beauty, theatricality.

Here is probably one of my favorite examples. Sure, it is the brilliance of Bernstein, and the great lyrics but just listen to that build, and the release. dang!!! I can barely even hear the opening strains of the orchestra without getting emotional. (Maybe I need to be on medication...hmmm...)

Candide: Make Our Garden Grow

And one more example of what I love. One single voice, starting out, others joining, almost sounding acapella but it isn't. So stunning.

Spring Awakening Wins 2008 Best Musical Show Album Grammy; Krieger and Dale Also Win
Spring Awakening: Song of Purple Summer

Happy listening and enjoy the rabbit hole of Broadway clips online.  See you in a few days!


Hair - "The Flesh Failures / Let The Sunshine In"
Spring Awakening - "Song of Purple Summer"
War Horse - "Only Remembered"
Candide - "Make Our Garden Grow"