Monday, April 13, 2026

Grumpy Old Men at Minneapolis Musical Theatre

Grumpy Old Men--yes, the 1993 film starring Jack Lemmon and Walter Matthau--gets the old musical treatment. Minnesotans have a soft spot for this movie already as it's not only set in Minnesota, but parts of it were filmed here. It became an unexpected hit, spawning a sequel and even an annual festival in Wabasha, where the film was set. 

Now this local favorite is brought to life in the Twin Cities, appropriately enough by Minneapolis Musical Theatre, whose tagline is "Rare Musicals. Well Done." Grumpy Old Men plays through April 19 at the Conn Theater in Minneapolis. 

The plot of the musical follows the movie, as far as I remember. Two neighbors, John Gustafson (Jim Ahrens) and Max Goldman (Ward Eames), both widowers, have been feuding as long as anyone can remember. When Ariel (Caitlin Burns) moves in across the street, they both set their sights on her and shenanigans ensue. From the opening number that introduces the characters of the town, the audience knows what we are in for. It's a folksy, corny, broad comedy, and the company, under the sure direction of Kari Steinbach, knows the assignment. 

However, the charm in this production goes beyond the three very endearing leads and their story. This is where Minneapolis Musical Theatre really excels. Although you might think that GOM is another rote movie-to-musical, the characters in this show really make it a treat. The company, excellently cast, make the absolute most of their characters, quirks and all. I love a show with so many opportunities for stand-out individual numbers from the secondary characters. 

From shopkeeper Chuck (Quintin Michael, with a gorgeous, rich voice) to his quirky cousin Punky (Lisa Denninger, yodeling no less!) to saucy Grandpa Gustafson (Michael Frischetti, who gets some of the best lines) and the accident-prone but optimistic mailman Harry (Brandon Osero), each character gets their moment in the limelight and makes the most of it. And as counterpoint to the battling Gustafson and Goldman, their grown children Melanie (Jillian Bader) and Jacob (James Lane) beautifully depict lost dreams and caring for aging parents with heart and truth.

And we haven't even MENTIONED Kayla Hambek as Sandra Snyder, a buttoned-up IRS agent who's coming after Gustafson's back taxes. She plays the role to the hilarious hilt and tears up the stage. 

With its blend of heartfelt moments and comedy, this show is a charming delight that I could see as a recurring holiday show for the whole family--as long as they have a high tolerance for slightly blue language and slightly dirty jokes. 

Friday, April 10, 2026

Suffs Tour at the Orpheum Theatre


March yourself over to the Orpheum Theatre this week to see SUFFS (closing April 12)! 

This brilliant musical follows the efforts of the suffragists (not suffragettes) battling to win the right of women to vote in the early 20th century. Starting with the first Women's Rights Convention in 1848, women had been organizing with the aim of amending the Constitution to give women the right to vote. More than fifty years later and no closer to an amendment, the movement got a burst of energy, and controversy, when Alice Paul (Maya Keleher) joined the fight. Paul clashed with the suffrage establishment, represented by Carrie Chapman Catt (Marya Grandy), president of the National American Women's Suffrage Association (NAWSA). Frustrated with the genteel campaigning of NAWSA, Paul organized a national march for women's suffrage right past the White House in Washington, D.C. 

Maya Keleher (Alice Paul) and Marya Grandy
(Carrie Chapman Catt) in the First National
Touring Company of SUFFS
Photo by Joan Marcus, 2025
The musical depicts the clashes of the younger "suffs" with the political establishment in a series of frustrating meetings with President Woodrow Wilson (Jenny Ashman) as well as their disagreements with the polite actions of NAWSA. Another contingent competing for recognition by the political establishment and the white suffrage movement includes Black suffragist Mary Church Terrell (Trisha Jeffrey) and crusading Black journalist Ida B. Wells (Danyel Fulton, a standout for her passion and gravitas), who also disagree on tactics. None of these arguments are simple or even necessarily resolvable.  

This may sound heavy, and it is, but the music, book, and lyrics, all by Shaina Taub (who also played Alice Paul on Broadway), delightfully introduce us to these brilliant, dedicated, complex women. Just one example is the song, "If We Were Married," in which presidential aide Dudley Malone (Brandi Porter) lays out a romantic domestic future while Doris Stevens (Livvy Marcus) describes all the ways in which marrying would take away her rights. It's a delightful twist on the traditional musical theater romantic duet. 

Monica Tulia Ramirez (Inez Milholland) and company in the
First National Touring Company of SUFFS.
Photo by Joan Marcus, 2025.
In a show full of stellar performers, Danyel Fulton as Wells stands out, conveying her frustrations with passion and gravitas. The full touring cast of all female-presenting performers is more than up to the job of showing these women (and a few men) in all of their variety. 

I first saw this musical in November 2024 (after the election). The story had great resonance then, but in 2026, the Minneapolis audience was primed and ready to hear the message of SUFFS. I can't remember ever being in an audience so engaged with a theatrical performance at the Orpheum. On opening night, the League of Women Voters was represented by groups from around the state, with some arriving in suffragette white with "Votes for Women" sashes. 

Library of Congress: Suffragists with Flag;
between ca. 1910 and ca. 1915
Before or after the show, or just for the knowledge, check out the SUFFS website for some great information and historical photos of the real life suffs, and more resources. 

And on May 8, watch the recording of the original Broadway cast on PBS's Great Performances. And carry the energy into the streets! Keep marching!

Wednesday, March 25, 2026

Twin Cities Horror Festival XIV - The Best Time of the Year!

Y'all, we LOVE the Twin Cities Horror Festival (which runs October 16 – 30 at the Crane Theater) the annual horror theater festival that celebrates all things horror. LOVE. 

Why Should YOU Go to TCHF? (in convenient bullet form)
  • TCHF is comprised of short plays in a variety of horror genres to suit any taste, from funny and gory to eerie and thoughtful.
  • TCHF pays 100% of ticket sales to its artists. YAY paying artists!
  • You can see some of the most amazing theater artists in the Twin Cities and add their work to your don't-miss theater list.
  • Tickets to the shows are only $15.00! So worth it!
  • Plus, check out the spooky souvenirs at the merch table and Goblin Market!
  • After 14 years, TCHF runs like a dang top. Easy ticketing, welcoming and friendly staff, ample free parking!
  • Spend an evening and see a few shows. They've created lots of cozy seating areas and offer concessions including some excellent NA mocktails. 
Now, in its 14th year of being awesome, we are seeing some amazing shows at the festival. Here's our guide to the shows we've squeezed in so far!

Gudlung - Dangerous Productions
"It’s Christmas, and Ted just wants the perfect family holiday. Sure, his wife is under the weather, his kids are cranky, and reality is being torn to shreds by an ancient horror—but, every family has its quirks, right? Luckily, Ted has a new friend with altruistic desires and an endless hunger. Combining Rockwellian sensibilities and Lovecraftian logic, “Gudlung” is sure to be a holiday classic for eons to come."
It's Dangerous Productions and there's no better way to kick off the Horror Festival than by seeing the familiar tarp spread out on the stage. That tarp means it's going to be a very bloody good time. And it is. Alas, no program so I can't give shoutouts to the actors who so beautifully played the wild shifts in tone and personality as Ted tries to create the perfect Christmas, again and again. Lovecraftian ancient horror is the vibe of the festival as it's difficult to top the horrors of contemporary American life in 2025.


Gospel Gus's Godly Goodtime Get-Together - Hot Chocolate Media with Phantom Chorus Theatre
"Evangelical Kids TV show mascot personality Gospel Gus has passed away. Manna studios is hosting a reunion to help make that…merchandising cash flow. Hot Chocolate Media teams up with Phantom Chorus Theatre to bring this nightmare alive."

 

 Scrimshaw by Rogues Gallery Arts

"A pair of married missionaries working in a Pacific whaling village take a mad whaler into their care after he was found floating adrift in the ocean. As they learn about his journey, his experiences and the sea creature he claims to have encountered they also face challenges to their view of the world, their faith and their own sanity." 

The Neverland - Lady Chamberlain Productions

"By light of day, the Neverland exists only in the imagination. But at night, the wild beasts of the island stalk alarmingly close. Three lost children rely on each other–and a mysterious faun guide known only as Pan–to traverse the island, face down beasts of world myth, and discover the reason they’re on the scariest adventure of their lives."

Bay Creek - The Miller Conspiracy

"After his father's sudden disappearance, the last of four generations of smugglers from the river bottoms of Pike County, Illinois contends with his family's legacy of violence and crime. Held by police and under interrogation, he must come face to face with the terrifying entity his ancestors carried over the veil from the other side."

The Walls - Strike Theater and the Improv Movement Project

"The Walls is a tale about a bank robbery gone wrong and a safe house that's not safe at all. A dramatic play loaded with tension and movement. The Walls meshes movement, acting and storytelling  to present a terrifying experience. The Walls features the talents of Rita Boersma, Sam Landman, Peytie McCandless, Jay Kistler, Mark Benzel, Sean Dillon, the Improv Movement Project.  Written and directed by Mike Fotis and presented by Strike Theater and The Improv Movement Project."  

The Last Menagerie - Melancholics Anonymous

"In this zombified parody of the classic play, The Glass Menagerie, the delusional undead Wingfield family has someone for dinner. Does Laura have the guts to step outside her world of broken baby dolls and eat the man of her dreams? Horror, the way Tennessee Williams intended!" 

Familiar - Special When Lit

"What’s a teen witch without her cat? Rosemary is about to find out. Her beloved familiar may have passed away, but by no means has it passed on. After opening a portal into a shadow realm, Rosemary discovers that only in the dark are you truly able to see. A teen-friendly nightmare from Nissa Nordland, writer of Stabby Stab Stab, Kin and Incarnate."

Murder. Murder. Murder. Murder. - Love Drunk Life

"A collection of short horror plays tied together by one prompt: crows. Enter into worlds of women transforming into birds, scientists playing God, cannibalism via dino nuggets, and a local DJ who is determined to be the ultimate final girl in an evening of deadly horror."

 Madness and Betrayal: A Grand Guignol Double Feature - Silent Scream Productions

"Love, mortality, sickness and obsession reign in two gory, tension-filled historical  one-act melodramas. A popular 19th c. theatre form credited as the origin of modern horror, Grand-Guignol judged its success by whether guests “passed out, threw up, or left”. A physical theatre spectacle of stage combat, gripping suspense, and shocking effects."

Terms - Four Humours

"A horror play about insurance, from the people who brought you Rasputin and Harold." 

And coming up, we're going to be seeing the final two. Reviews to come!

Camp Bludde - IK Productions

"An old legend, old money, new blood. This deep in the wilderness, no one can hear you scream. Camp Bludde is a summer camp by and for a wealthy elite class of people. Every ten years, a camper is brought in on a scholarship. But things are not what they seem. When a hooded figure pursues the campers, it’s clear Camp Bludde lives up to its namesake."

Cursed Objects - Dolly Who?

"You're invited to an exclusive peek inside the curious world of the Cabinet of Cursed Objects, a vintage shop selling one-of-a-kind, very vexed trinkets owned by the infamous Webb sisters, Millicent and Melody. After the arrival of a mysterious door sends the evening spinning off its hinges, the Webb sisters, their assistant, and a trio of “Cabineteers” are forced to grapple with an unfathomable terror, each other, and themselves." 

Today is 3/25/26 and apparently we never published this even though TCHF is our FAVORITE. So I'm doing it now!

Okay bye.