The story is based on Scottish and Irish legends of the selkies, who live in the sea as seals, but can shed their skins and assume human form on land. But the call of the sea is strong, even when the selkie finds love on dry land. In a fishing village on a remote island, tales of the creatures abound, and a fisherman casting his net might pull in more than he bargained for.
If you have not seen a Transatlantic Love Affair show, this is a lovely introduction to their work. On a bare stage, seven ensemble members create the whole world of the show, from the fishermen at work, to the women mending nets, to the harbor bell and the sea itself, with just their bodies, voices, and faces. Our collective imagination fills in the details, which is something exciting to experience, though a little hard to describe.

Allison Witham, always one of our favorites to watch, has amazing physicality as an old woman, a bartender, and even a seal. But all of the ensemble play many roles; human, creature, and objects we think of as inanimate. Derek Lee Miller provides an original accordion score and serves as the narrator, who knows the story all too well. Anna Reichert's costumes are a backdrop for the many roles of the players. The only non-human effect on stage is the gorgeously evocative lighting from Mike Wangen, the Twin Cities' theater lighting MVP.
Transatlantic Love Affair is absolutely one of our favorite theater companies in the Twin Cities, and The Ballad of the Pale Fisherman is an enchanting fable beautifully brought to life in the company's distinctive and arresting style.
BTW: If you want to dive into the world of selkie stories on film, there's a great list here, which includes The Secret of Roan Inish, the 1994 John Sayles film which introduced me to this fascinating legend.