Twin Cities Horror Festival XIII - Schaulust

This year's Twin Cities Horror Festival is celebrating its 13th year and this festival is truly an outstanding selection of short horror theater.

We've seen 10 of the 11 shows so far (and you can read our reviews for Day One, Day Two, and Day Three here) and Schaulust by Keith Hovis Productions is our final show. 

Twin Cities Horror Festival XIII - Day Three: The Alchemist's Bargain, Gh0stChaser04, and The Wrench

It's been a weekend of fun at the Twin Cities Horror Festival. Check out our reviews of Day One and Day Two. We caught three shows today and it was another delightful horror theater fest!

First up was The Alchemist's Bargain by Phantom Chorus Theatre and we couldn't have asked for a better show to get us in the mood for a theater marathon. We fondly remember Phantom Chorus's take on Frankenstein, Victor Invictus, at the 2022 TCHF. 

Twin Cities Horror Festival XIII - Day Two: Doctor Clown, The Regular, Campfire Stories, and The Night Parade

Do you want to see something SCARY? Us too! Also, funny and charming and gory and creepy! Do join us at Twin Cities Horror Festival, now in its 13th fabulous year, running October 24 through November 3 at the Crane Theater.

This year, we are seeing all eleven shows in the festival. Check out our other reviews: TCHF XIII - Day One  and Day Three: 

Day Two, we spent nearly six hours at the Crane engrossed in delightful horror theater. Here's what we saw: 

Twin Cities Horror Festival XIII - Day One: Fractured Remembrances, Let's Summon a Demon at Debbie's, Ghostrunners

The Twin Cities Horror Festival is celebrating its 13th year of delightfully spooky theater and is one of the highlights of our theater year. After years of raving about the fabulousness of TCHF, we've distilled WHY you should add it to your Halloween traditions:

Twin Cities Horror Festival 2024 - Monster & Mayhem Cabaret

It's spooky season again! And as in previous years, we are excited for the new offerings at the Twin Cities Horror Festival (TCHF XIII), running October 23 - November 3 at the Crane Theater in Minneapolis. 

Check out all of our TCHF XIII reviews here!

The Festival kicked off this year with a special one-time performance on October 23. Leslie Vincent Presents: A Monster and Mayhem Cabaret was a terrific evening of spooky, murdery jazz tunes performed by local cabaret goddess and former TCHF producer Vincent and a terrific band. 

Shadows Under Wabasha: Twin Cities Horror Fest XII

Show:
Shadows Under Wabasha

By:
Hot Chocolate Media

In Short:
It’s 1920s St. Paul, it was an easy heist, a simple score for this crew. One mistake and they are trapped in a cave that was supposed to be their hideout. Four gang members must work together before their place of refuge becomes their tomb. 

Selected Cast/Creative:
Rachael Dosen, Bridget Foy, Ileri Okikiolu, Addie Ripperger play the gangsters. Directed by Denzel Belin and written by Kyle B. Dekker, Denzel Belin, and Jacob Gulliver.

Our Thoughts:
Last year, Denzel Belin wrote and directed one of our favorite shows in the Twin Cities Horror Festival: Bad Egg, a thoughtful and witty retelling of Charlie and the Chocolate Factory. This is the second show we've seen in the Crane studio space (the other is Lock-In), and the space has felt like a challenge in both. Last year, another TCHF favorite, Stabby Stab Stab, made great use of the space, but it's not easy. 

Shadows Under Wabasha has a compelling premise. Or premises. The Wabasha caves are endlessly fascinating and, for the claustrophobic among us, particularly creepy. The gangsters and the agreement that they made with the city of St. Paul is another bit of great local history. Add in conflict between disparate characters trapped together with limited light and air and you have the makings of a great TCHF show. Strong performances by Bridget Foy and Ileri Okikiolu anchor the play, but there seems to be a little too much to successfully cover in one small TCHF play. 

You Should See This If You Like:
Workplace conflict, caves, gangsters, meteorites, great menswear.

Ghost in the Machine: Twin Cities Horror Fest XII

Show:
Ghost in the Machine

By:
Snikt! Bamf! Thwip!

In Short:
Artificial intelligence - true artificial intelligence - is impossible. You can't create a computer that thinks like a human brain. But what if the computer had a human brain? And what if the human wanted their brain back?

Selected Cast/Creative:
It's an intimate cast, consisting of Elora Riley, Philip D. Henry, Emma Inga, and Dawn Krosnowski.

Our Thoughts:
Well, first of all, I blame this show for the fact that snippets of songs by The Police have been running through my mind for DAYS. Our heroine, Arwyn, is obsessed with The Police and even a Police cover band. Hence the very appropriate title of this show. This is a really tight, compelling, and intimate show that follows a programming genius as she gets a mysterious invitation from a secretive company. 

Compelled by a generous salary, Arwyn agrees to a job working with an advanced AI system called Phoebe. Naturally, she also investigates the company that employs her, but is not prepared for what she learns.

With the advances and potential dangers of artificial intelligence very much in the news, this is a timely story that's a little too close to reality. Tim Wick's strong script cleverly acknowledges its pop culture references. Elora Riley as Arwyn leads the excellent ensemble with an engaging, memorable performance as the cool coder girl. Although the set and special effects are minimal, this show provides some great shocks. 

Don't make me send "a message in a bottle" that "every little thing [this show] does is magic" and will have you "wrapped around [its] finger." (Sorry, I couldn't resist!!)

You Should See This If You Like:
Being freaked out by AI, the idea of getting $50,000 for a job interview. Yes, please!

Overtoun: Twin Cities Horror Fest XII

Show:
Overtoun

By:
Spiral Theater

In Short:
Overtoun tells the story of Scotland’s infamous “dog suicide bridge”, from whose heights dogs have inexplicably leapt to their deaths. This horror-comedy explores our need to search for meaning in the unexplainable and our terrible realizations when we do not find it.

Selected Cast/Creative:
Directed by Kevin Duong. Written and assistant directed by Kyle Munshower. Featuring Anya Naylor, Anjeline Mae Ramirez, Mar Burris, Carlyn Grande, and Alec Logeman. 

Our Thoughts:
They did NOT have us at the plot description. A show about dog suicide? Yikes. HOWEVER, our dedication to seeing every show of the Twin Cities Horror Festival has absolutely paid off, cause this show is a delight.

How can a show about dog suicides be anything but grim? Here's a hint from a description of Spiral Theater from Springboard for the Arts:

"Spiral Theater aims to produce seriously silly shows that celebrate our most absurd selves, the wild possibilities of language, and the creative spirit of audiences and artists."

Mission accomplished. With one of the most polished scripts in the Festival, this show uses the strange occurrences at Overtoun Bridge to play with the tropes of murder dramas and have so much fun with language. The characterizations of the town's characters are sharp and distinct and beautifully performed. We will absolutely be keeping an eye out for future work by Spiral Theater. 

Several hours after the show, I realized that the form of the play reminded me of Tom Stoppard's The Real Inspector Hound, another script that plays with tropes. But Overtoun is also absolutely original and unique and a must-see. 

You Should See This If You Like:
Midsomer Murders and Police Squad! 

Kin: Twin Cities Horror Fest XII

Show:
Kin

By:
Special When Lit

In Short:
Newlyweds Mona and Rory are celebrating New Year’s Eve at a secluded cabin within the northwoods of Minnesota. There’s a full moon, and the wolves are howling. It’s a night devoted to change, to releasing the past and embracing the future. But are we truly able to shed our skin and begin again?

Selected Cast/Creative:
Nissa Nordland Morgan (Mona) and Tara Lucchino (Rory) play the newlyweds; Shanan Custer plays a mysterious guest to the cabin. Written by Nissa Nordland Morgan and directed by Kayla Dvorak Feld.

Our Thoughts:
Morgan has created an intriguing story of family and change. This is the second show in the Horror Festival that takes place in a secluded cabin in the woods, but unlike Dangerous Productions' Choices where the characters are genuinely threatened by what's in the woods, Kin's story takes place almost completely within the cabin. The placid domestic bliss is interrupted by a visitor (Shanan Custer in a compelling performance) who has a complicated family story to share and Mona finds herself with decisions to make. Also, there may or may not be a severed hand. (See also The Hand That Washed Ashore.)

You Should See This If You Like:
Howling at the moon

Lock-In: Twin Cities Horror Fest XII

Show:
Lock-In

By:
Wizard Wax Productions

In Short:
Gabriel, a trans latinx pastor, is new to Bethel Lutheran Church. In his quest to unlock a century old mystery, he invites back the 1985 youth group for an adult lock-in.

Selected Cast/Creative:
The cast includes Jex Arzayus (who also wrote and directed), B. Johnson, Danielle Lynch, Janelle Kloth, Julie Censullo, Laura Hild, Mahmoud Hakima, Maureen Bourgeois, and Will Schroeder.

Our Thoughts:
We saw Lock-In on our second day of the Twin Cities Horror Festival. This is the first of two shows (the other is Shadows Under Wabasha) that are held in VERY INTIMATE Crane Studio space. We're loving the Crane as a lovely, intimate setting for the Twin Cities Horror Festival, but the Studio can feel a little tight. Particularly when there is a "splash zone," where select audience members are provided with plastic rain ponchos. If they've got their splash zone that well planned out, then props to SFX Designer Celeste Williams.

Lock-In is overwhelmingly packed with plot elements. We've got a youth group reunion, a mystery, an escape room, possession, an exorcism, drug addiction, spirit boards, multiple personalities, and probably more that I'm forgetting. Not to mention, we've got family relationships, first loves, Satanists, and murder. It's a lot! Some elements of this show worked very well. There was some good characterization (a standout is Janelle Kloth as the troubled Bo) and relationships, especially considering that this is writer/director/actor Jex Arzayus's first time producing a full-length play. Some of the special effects worked well and I also love the ambitiousness of the set (built by Lucas Nafziger), particularly a trick with a mirror. 

Sure, it could use a little editing, a little smoothing out, but you know what this play has? Heart. When reading the program for Lock-In after seeing the show, we could not help but be incredibly charmed by Jex and their heartfelt appreciation of the cast, the crew, the TCHF, and even "my 7th-grade art students at Parkview Center School for helping make props for the play." Love the effort, love the enthusiasm, love the heart.

You Should See This If You Like:
Taking a chance on a scrappy show in an intimate space. Also, if you bring your program to Wizard Wax record/comic book store, you can get 20% off any item in the store!

Rasputin: Twin Cities Horror Fest XII

Show: 
Rasputin

By: 

Four Humors

In Short: 
Four Humors presents Rasputin: a bloody and hilarious investigation of all three true versions of Rasputin’s gruesome death and the uncertain fate of Mother Russia.

Selected Cast/Creative:
Written and performed by Ryan Lear, Brant Miller, Matt Spring, and Allison Vincent. Moody cello music performed live by Christa Rübsam. The lovely costumes are by Mandi Johnson. Very effective lighting by Jon Kirchhofer. Informative projections and evocative sound by Brant Miller. Stage Manager Corie Casper and Fight Consultant Annie Enneking round out the creative team. 

Our Thoughts: 
As I struggle for words to describe the utter genius of this show, I can't help but be reminded of what the great Ed Grimley said when he was preparing to meet Pat Sajak: "Like I suppose you could do better than that." 

Like I suppose you can do better than the brilliant Four Humors putting their own unique spin on a historical event too wild not to be true: The Murder of Rasputin. 

Three men meet for dinner with a hidden agenda: Kill the fourth guest, the mysterious monk who has gotten too close to the Czar and Czarina. A little poison should do the trick, but when it doesn't, the would-be murderers have to improvise. Our tale begins with said would-be murderers being questioned about Rasputin's death. Then, with a bit of Rashomon, a hint of historical anachronism, and a whole big bunch of amazing comedic talent, we see each man's retelling of the story.

This show is PERFECT. It's hilariously written and acted, every element is beautifully designed, and the performers of Four Humors play off each other beautifully. They pack SO MUCH into the one-hour running time. And they make it look so easy.

You Should See This If You Like: 
History and humor, a little blood, a fair amount of swears, and excellent work from a stellar ensemble. Oh, and LAUGHING. SO MUCH LAUGHING.

The Hand That Washed Ashore: Twin Cities Horror Fest XII

Show:
The Hand That Washed Ashore

By:
Mischief Tales

In Short:
A construction crew must clean up a tourist island on Lake Superior; but their plans are delayed when a vengeful disembodied hand is discovered among the debris. 

Selected Cast/Creative Info:
Performed by Ellen Apel, Amanda Chial-Stewart, Gary Danciu, Derek Dirlam, and Lewis Youngren. Written by Vincent S. Hannam, directed by Patrick Kozicky. 

Our Thoughts:
The Hand That Washed Ashore grabs you immediately with the fantastic sound design. The rumbling of the storm that starts off the show rumbles through the theater, making vibrations that you can feel in your body. This is a great way to kick off a horror show. We then meet the members of the clean-up crew: family man Chubb, bitter vet Dutch, 'new guy' Pit, and the boss: Mac. All is proceeding apace when Tracy, a young journalist hops out of a helicopter, here to document the clean-up effort. Or IS SHE? But wait! What is in that mysterious old chest that washed up on shore? And why does is smell so badly?Check out the title for a hint! 

Although there is a lot going on in this show, what really stayed with me is the characters. Derek Dirlam's Chubb was a likeable and sympathetic everyman. (Dirlam plays another "part" later on in the show after Chubb meets a gruesome end.) Gary Danciu is also now on our list of actors to watch as he gave Dutch more depth than you'd expect in such a short play, which also speaks to the writing by Vincent S. Hannam. I really enjoyed the nostalgic, old-fashioned ghost story aspect of this show (and check out the wonderful show art!). I do wish that the visual effects came off a bit more successfully. Although I enjoyed the story, the tone fluctuated unnervingly between serious and silly. Both aspects which may smooth out in later showings or versions, which I'll be keeping an eye (or a hand) out for. 

You Should See This If You Like:
Sympathetic characters, ghost stories of Lake Superior, Evil Dead-like horror-comedy, and disembodied body parts with a mind of their own. 

Also, you know what's fun? Googling 'the hand that washed ashore.' APPARENTLY, this is not an infrequent occurrence. Eek. Yikes.

Choices: Twin Cities Horror Festival XII

Show: 
Choices

By:
Dangerous Productions

In Short: 

When a group of old friends show up for a birthday surprise, it becomes very clear that the dream has become a nightmare.

Selected Cast/Creative Info: 

A lot of faces familiar from past Dangerous Production shows including Leif Jurgensen, Jay Kistler, Laura Mahler, Haley McCormick Jenkins, Derek Sykes, Lily Mills, and Chad Heslup. Directed by Tyler Olsen-Highness. 

Our Thoughts:

As we walked out of Girls in Bins, and the Dangerous Productions folks walked in, we spotted the tarp and if you listened to Twin Cities Theater Chat's episode about TCHF, you know what that tarp means. Blood and lots of it, and this production did not disappoint. Set in a cabin in the woods, John is surprised by a group of friends ready to celebrate his birthday. But why is he so distressed? And where is his partner Greg? And who keeps knocking on the door? 

Although this show starts of with drinking games and laughter, as with most Dangerous Production TCHF shows, things go downhill very quickly and we just need to tell you that there are two (2) "Blood Assistants" listed on the program. Need we say more? The action switches between the birthday party shenanigans in the present and more intimate scenes with John and Greg in the near past. We were really struck by how beautifully Director Tyler Olsen-Highness made these scene changes. The lights in the cabin were constantly going out and the scene would continue until suddenly, the lights came back on and we found ourselves in an entirely new scene. The timing was fantastic. 

Although the question of what is in the woods remains a mystery, the cast is engaging and utterly committed, particularly to the gory scare. There's still some laughter along with the gasps at gore, with Jay Kistler's Nic a particularly bright spot. We also really enjoyed Derek Sykes whose portrayal of Greg showcased humor and heart as well as an endearing acceptance of his horrific fate. 

You Should See This If You Like:

Obviously, blood and/or gore, impressive special effects, a little laughter with your scare, and a little heart with your entrails.

Girls in Bins: Twin Cities Horror Fest XII

Show: 
Girls in Bins

By:
The Rachel Teagle Effect

In Short: 

Trapped in her house with nothing to do but listen to true crime podcasts, Ruth is startled to discover a case that hits a bit too close to home.

Selected Cast/Creative Info:

An intimate cast of Siri Hellerman, Suzanne Victoria Cross, and Ben Tallen is rounded out by voicework from Rita Boersma, Heather Meyer, and Elena Glass. Written by Rachel Teagle and directed by Jenny Moeller, with a shoutout to 'Gore Goblin' Shea Roberts Gyllen.

Our Thoughts:

First of all, the Director's Note reads: "Thank you for coming to see a horror show about a pregnant woman." Thank YOU, The Rachel Teagle Effect for not taking the path way too frequently traveled in that area. Siri Hellerman's Ruth is a refreshingly cranky and funny pregnant woman who is utterly addicted to the podcast Murder Bitches and captivated by their coverage of a serial killer who kills women and put them in, yes, bins. BTW, did we mention that the stage setting is very spare, with only a sprinkling of plastic storage bins as set. Anyhoo. 

Rachel Teagle's writing of this show is witty and sharp and we immediately warm to Ruth as well as to her delightful and acerbic friend Yvette (played by Suzanne Victoria Cross in a performance that lights up the dang room). I just had to check and see if Murder Bitches IS a real podcast because the hosts Carrie Showers (ha) and Jennifer Boddy (double ha) as played by Rita Boersma and Heather Meyer respectively are so SPOT ON. A shout out to director Jenny Moeller for the beautiful job intertwining the podcast voiceover with the dialogue on the stage. The timing was impeccable. The entire show was an absolute delight. Another shout out to Siri Hellerman, who depicts the physicality of a pregnant woman with complete authenticity, which is not an easy task.

You Should See This If You Like:

Murder podcasts and making fun of them, sarcastic and funny friends, husbands who travel a little too much, and the wonder and mystery in opaque plastic storage bins.

Marie Jeanne Valet Who Defeated Le Bete du Gevaudan: Twin Cities Horror Fest XII

Show: 

Marie Jeanne Valet Who Defeated Le Bete du Gevaudan

By: The Winding Sheet Outfit

In Short: 

France, 1764. Something is hunting the villagers in Gévaudan.

Selected Cast/Creative Info: 

MJVWDLBdG stars lots of delightful familiar faces from previous The Winding Sheet Outfit and Transatlantic Love Affair such as Megan Campbell Lagas, Peyton McCandless, Derek Lee Miller, and Allison Vincent. Directed (and music!) by Amber Bjork with stage management (and magical assistance) from Andre Johnson, Jr. 

Our Thoughts:

No matter what The Winding Sheet Outfit does, it's bound to be magical, mystical, and memorable. Originally produced in 2014 with Sandbox Theater, this was a fantastic kickoff to the Twin Cities Horror Festival XII. While the theatrical magic is incredibly captivating, you may find yourself musing on the allegorical possibilities of this story of a wolf, a girl, a village in poverty, and a king who is heading soon for his own bloody ending. This provided great post-show discussion on the car ride home and a little googling of French history. Rich with story and atmosphere, it's amazing how much theater can be packed into one small hour. 

All of the cast were wonderful (and wore the hell out of those culottes), but we have to give special love to Allison Vincent, who always seems to beautifully balance the delicate line between heartfelt and hilarious. We will never forget Allison's hysterical portrayal of Louis XVI, which reminded us of Hamilton and the scene-stealing King George. How can a show that covers such dark times still make us laugh like crazy? Love ya, The Winding Sheet Outfit.

You Should See This If You Like:

History, devised theater, shadow play, precision, dark fairy tales, capes, the aforementioned culottes, and big wolves.

Super Spooky Horror Recommendations

BareBones Halloween Extravaganza
Photo by Max Haynes

Friends, it's the most wonderful time of the year (if you like horror and theater). But there's a LOT to get to. We have a lot of recommendations and only a few spooky days left!

Don't panic, though! Just listen to the Super Spooky Special Edition of Twin Cities Theater Chat Recommends. Unless you're too scared! Also, listen, subscribe, tell a friend, yada yada!

We talk about the Twin Cities Horror Festival, comedy shows, cabarets and concerts, why this is clearly the year of the puppet, and strategize plans for staying up for late night shows.

And since there's not enough room on our Podcast Show Notes, here's a list of what we talked about AND a few late additions!

It's the Spookiest Time of the Theater Year! Twin Cities Horror Festival Season XI

Updated 10/23/22

You've heard us sing the spooky praises of Twin Cities Horror Fest for years. Won't you join us this year for the most delightful, spooky, chilling, hilarious, gory theater you'll see all year? We've been expecting you...

Twin Cities Horror Festival VIII - Day Four

Incarnate by Special When Lit
Photo by Dan Norman

Today, our takes on Twin Cities Horror Fest are bookended by a lot of love, and a little bit of vexation.

Just to recap: Why We Love TCHF, Day One, Day Two, Day Three, and our TCHF archives.

First, the LOVE. Can we just talk about what a gift Dan Norman is to the Twin Cities Theater Community? Go to the Twin Cities Horror Festival page and check out the photo slide show.  We can jabber on about TCHF, but Dan Norman's photos capture theater magic so beautifully that seeing the slideshow gives you a better sense of the wonders of TCHF than we ever could. We were fortunate enough to be in the audience when he was taking photographs--so subtly that you'd never notice if you weren't looking. But I was fascinated by trying to see the show as he sees it. His work is stunning and we're lucky to have him in the Twin Cities.

Sunday. DAY FOUR.

Charcoal Moon
Rogues Gallery Arts

Charcoal Moon by Rogues Gallery Arts
Photo by Dan Norman

Another space story! Compared to Geminae, this is a large-scale production. Filmed segments show communications from Earth and serve as exposition for this story of three spacecraft sent to a distant moon to recover a valuable energy-producing element. I liked that the goal of the mission is clear, and the competition between vessels heightens the tension. When the first ship reaches its destination, they drop out of contact with Earth, and the next ship needs to find out what happened. The interaction of the astronauts was good, but the video sometimes felt like filler. The danger and tension worked, though, and the ending was satisfying.

Incarnate
Special When Lit

Incarnate by Special When Lit
Photo by Dan Norman

Incarnate is an immersive experience, placing the audience in the congregation of a nature-based religious organization. If you're thinking it sounds like a cult, you're right. Of course, things are not as peaceful and loving as they seem, though there's still some shock value to the denouement. Our group was uncomfortable with the interactive element, which encourages the audience to sing and pray with the group. Even as an infrequent churchgoer, that was more than I wanted to commit to the experience. I'd just rather watch them from afar instead of feeling complicit in their actions. That said, this was one of the most visceral experiences at the Festival. Lauren Anderson is great as a church leader, and the cast members really commit to their religious fervor. Nissa Nordland Morgan, who is also the writer, is very convincing acolyte, and her fervent exclamations of "Joyful Harvest!" will stay with me.

Horror Show Hot Dog - Night Two
(Read more about HSHD here.)

Night Two featured: Rewind (dir. Ruben Perez), a film about a college girl which was reminiscent of The House of the Devil; Peephole (dir. Enrique Escamilla), which is about unsavory events glimpsed through an apartment door's peephole and is the reason I mistrust my car's backup camera; Together (dir. Ryan Oksenberg), a fantastically acted and compelling film about a clean-up crew and family secrets; Water Horse (dir. Sara Wisner and Sean Temple), which was very much style over substance; and Midnight (dir. Katie Bonham), a haunting and isolating film with parallel narratives taking place in the same space.

Bug Girl
LIZ Howls

A brilliant shadow puppet show, meticulously created and executed, with an intrepid young heroine at its heart. It's short, only about 40 minutes, but that felt just right. The program mentions future installments. We say, bring them on, Bug Girl!

Bug Girl by LIZ Howls
Photo by Dan Norman

Now for the vexation part. After three days and nine shows of unbelievably responsive and attentive audiences, the theatergoers at Incarnate appeared to have lost their damn minds. We were surrounded by people who were discussing the show at full conversation volume, and two of the talkers actually took out their phones and took pictures and recorded some of the show. I mean, WHAT? We sat behind Dan Norman, who was taking pictures for the festival with his fancy cameras and it was less distracting than these two. Sometimes people are the worst.

Twin Cities Horror Festival VIII - Day Three

Frankenstein by Dangerous Productions
Photo by Dan Norman

Our weekend at the Twin Cities Horror Festival continues with productions by three TCHF favorites: Dangerous Productions, Oncoming Productions, and The Winding Sheet Outfit.

Just to recap: Why We Love TCHF, Day One, Day Two, and our TCHF archives.

Saturday. DAY THREE.

Frankenstein
Dangerous Productions

I hesitate to say much about this show, since the way things are revealed is a great part of the scary fun. The story is told out of order, as if being relived in a characters head. The intricate script and some nifty work with handheld lights make for an unsettling experience in the best possible way. Inspired by Mary Shelley's famous novel, this Frankenstein finds a new way to tell the story, and since it's from Dangerous Productions, there's a fair amount of blood and gore. The performers were all excellent, and the staging is impressive. If you're looking for something scary and different, this is a great bet.

Ah, there's the blood. Frankenstein by Dangerous Productions
Photo by Dan Norman

Geminae
Oncoming Productions

Geminae by Oncoming Productions
Photo by Dan Norman

In Geminae, astronaut Cassie is on a solo space mission that goes awry. Her sister Helen, working from the ground, tries to bring her home, but Cassie is alone. Or is she? This production was originally mounted at the 2018 Fringe Festival, but this was our first viewing. The space effects are neat, and there are some interesting character dynamics, but the eventual supernatural element feels a little underthought. The performances are very good all around, especially from Victoria Pyan as Helen and Leslie Vincent as Cassie, who beautifully depict the relationship between sisters.

...And What Alice Found There
The Winding Sheet Outfit

OMG, these masks! ...And What Alice Found There by
The Winding Sheet Outfit. Photo by Dan Norman

The Winding Sheet Outfit creates works that examine historical events and people, and we've enjoyed their work, though we couldn't get tickets to their hit 2019 Fringe show, You Are Cordially Invited to the Life and Death of Edward Lear, which took home two Golden Lanyard awards. Now the company looks at the relationship between Charles Lutwidge Dodgson, aka Lewis Carroll, and Alice Pleasance Liddell, the girl who first heard the stories that would later be published as Alice's Adventures in Wonderland. The show raises more questions than it answers, in a roundabout way that seems to mimic the twists and turns in the mind of Dodgson, played by Kristina Fjellman. The supporting cast of six women play Alice and her sisters, as well as everyone else. And when confronting Dodgson, they sing a discordant setting of one of his poems to a tune that was still running through my head days later. Creepy and fun!

(Jules)

Twin Cities Horror Festival VIII - Day Two

Frankenstein's monster and friends

On our second day at the Twin Cities Horror Festival, we saw three more shows.

Just to recap: Why We Love TCHF, Day One, our TCHF archives.

Friday. DAY TWO.

AMP: The Electrifying Story of Mary Shelley
The Obscura Factory

AMP featuring Jody Christopherson
Photo by Hunter Canning

AMP is written and performed by Jody Christopherson, a New York-based performer who last year brought St. Kilda to the Horror Festival. Last year's show had minimal staging, with Christopherson creating all of her own sound effects and musical accompaniment live. AMP again has just Christopherson on stage, but as she portrays Mary Shelley, recorded voices fill in as people in her life as if they are coming from her head. Her performance and the show are riveting, and made me want to read more about Shelley, her anarchist parents, and her marriage to Percy Bysshe Shelley. Bonus! Adorable bookstore flirting scene included. Also, a bit of book destruction. You've been warned.

The Feminine Inhuman
Erin Sheppard Presents/Monster Science

Feminine Inhuman - Erin Sheppard Presents & Matt Kessen
Photo by Dan Norman

Two Horror Fest favorites come together beautifully in this new show. Reverend Matt, in his amusingly educational style, introduces a number of mythological monsters identified as female, with plenty of insight into the fears that may have led storytellers to embellish these stories. After he describes a female monster, Erin Sheppard and her dancers perform a short piece illustrating and adding to the story. Sheppard's sometimes aggressive dances always tell a story, but the combination of the background info and the dance works wonderfully well. The dances often take a turn to the unexpected, even though we've just learned about the basic story. It's beautiful and entertaining. One of the vignettes that blends narration and dance perfectly is Kuchisake-Onna. As Reverend Matt narrates, Derek Meyer and Regan K. Saunders dance the chilling story of a malevolent Japanese spirit also known as the "slit-mouthed woman." Two things: Erin Sheppard's work is gorgeous and I wish we could see it more often, and Reverend Matt needs to have a podcast to share his vast monster knowledge and mellifluous voice. That is all.

We love the way Erin Sheppard's dancers run.
Photo by Dan Norman

Horror Show Hot Dog - Night One 
Short Film Festival

Horror Show Hot Dog official logo

Every year, the creators of the Horror Show Hot Dog podcast curate a selection of short horror films for TCHF. This year, they have five shows, each featuring different short films. In past years, they found most of the movies on YouTube, but as their profile has risen, this year's selections are almost all being exclusively shown at film festivals, and come from around the world. Theatergoers receive ballots, and a favorite for each night is chosen and announced on their Facebook page. Also, I just checked out the HSHD page, and the podcast has episodes about eight of the shows in this year's festival, which is an excellent way to learn more about the shows.

I (Jules) am not a big fan of horror movies, but I really enjoy the short films. I think it helps to know that I'm not going to be on the edge of my seat for more than 10 minutes at a time. But Carol, who loves horror films, also enjoys these a lot. We've seen two of this year's editions so far. Three to go!

I really do. -Carol

Night One featured: Service (dir. Theo Watkins) - in which self-service grocery store technology goes terribly wrong; Clicker (dir. Amanda Stoddard) - involves a small boy and the death of his cat; Lili (dir. Yfke van Berckelaer) - a fanfreakingtastic short about an audition that takes a surprising and satisfying turn; Marianne (dir. Matt Losasso) - which I literally do not remember watching; The Game of the Clock (dir. Michele Oliveri) - which involves a teenage girl, an alarm clock and a cat and mouse game; Puzzle (dir. Vincenzo Aiello) - a short, nearly silent film about a woman putting together a puzzle of her house with a surprising end; and Toe (dir. Chad Thurman and Neal O'Bryan) - a weird little short about a starving boy eating a toe, which I loved because it reminded me of Vincent by Tim Burton and those freaky Tool videos. Fun fun! The winner was Lili and rightfully so.

Coming up: Days Three and Four! Oh BOY!